Band: opinion spread · Dot: weighted average
The most consistently praised region: deep, fast, textured and controlled, a sub-bass-first shelf that reaches lower than the S12 Pro without bleeding into the mids. The caveats are about quantity and character rather than quality — mid-bass slam is lighter than a dynamic driver's, a few hear it as slightly boomy on dense mixes, and a small minority (mostly on weaker seals or sources) hear it as lean.
“The bass is stunning. It’s powerful but not overpowering; it’s detailed and textured.”
Chris, The Headphoneer
“In real music, the result is a very compact bass, with quite a punch, dry, tight, very fast and with hardly any decay.”
cqtek, HiEndPortable
“I think all of these have a little bit too much bass for my personal taste, but it's fun.”
Super* Review (video transcript)
“I think the number one issue that some folks will have with the S12 Ultra is that the mid-bass doesn’t have that forward and profuse slam that some may like.”
Chris Love, Mobileaudiophile
“Excellent IEMs for its price. Clear mids and highs. Bass are on the weaker side.”
Amazon customer (in the listing's review highlights)
Measured
Twelve-rig average, 500 Hz-normalised: +11.8 dB at 20 Hz (sd 0.9), +10.4 at 40 Hz, +8.7 at 60 Hz, +6.0 at 100 Hz, +2.4 at 200 Hz — 2.8 dB above Harman IE 2019 at 20 Hz and 1.5–1.9 dB above it from 60 to 250 Hz. Versus the S12 Pro on seven shared rigs it has +2.2 dB at 20 Hz and about 1 dB less from 100 to 250 Hz: more sub-bass, slightly less mid-bass.
vs. listeners — The shelf is sub-bass-first on every rig, yet a few listeners describe punch without rumble or a lean bottom end; with a bass region this consistent across rigs, a shallow seat or leaky seal is the likelier explanation than unit variation.
