HeadphoneOverreview

THIEAUDIO Cypher

An HD 650 with sub-bass — and a channel-balance asterisk.

37 sourcesUpdated
$399Typical US price

Score aggregates reviewer opinions across topics.

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THIEAUDIO Cypher

The short version

What to know.

A warm-neutral, midrange-first open-back that sources broadly agree is exceptionally built for the money and unusually easy to listen to for hours, with a midrange most call its best feature. The measurements explain the arguments: bass runs flat to 20 Hz with no shelf, the lower treble has a 5–6 kHz bump and the upper treble drops off a cliff above 8 kHz. So opinion splits on whether the bass is authoritative or merely extended, whether the treble is crisp, pleasantly relaxed or hazy, and whether the intimate HD 6-series-style stage is a flaw. Three measured units show the same right-channel-hot imbalance in the upper mids, which is the one caveat that is not a matter of taste.

About this product

THIEAUDIO's fourth full-size headphone (after the planar Phantom and Wraith and the dynamic Ghost) and its first dynamic-driver flagship: a single 50 mm driver, 32 Ω / 96 dB, 411 g, one black SKU. Marketed as open-back but semi-open in practice. Ships with a 3.5 mm cable and 6.35 mm adapter only (no balanced cable); pads are magnetic and proprietary. Launched on Kickstarter in March 2026 at $329–379; $399 retail since April 2026.

THIEAUDIO built its name on in-ear monitors — the Monarch, Hype and Origin lines — while its full-size headphones (the Phantom, Wraith and Ghost) came and went without much notice. The Cypher is the brand's first serious run at the crowded $400 open-back shelf: a CNC-aluminium, 50 mm dynamic-driver headphone tuned to what THIEAUDIO calls a reference target, launched on Kickstarter in March 2026 and sold direct since April.

Six months in, it has been measured on three independent rigs and reviewed by nearly every outlet that covers the class, and the verdicts run from favourite headphone under $400 to a 5.4 out of 10 from a retailer that sells it. Most of that spread comes down to what each reviewer wanted from the bass, the treble and the stage — and to a quality-control finding that several of them measured.

A good fit for

  • HD 650/6XX listeners who want that midrange with real sub-bass extension
  • Vocal, acoustic, jazz and classical libraries where timbre matters more than slam
  • Treble-sensitive listeners who want a peak-free top end for long sessions
  • Mixing and monitoring on a headphone that does not editorialise
  • Anyone who values a metal build and a bag-friendly flat fold at this price

Think twice if

  • You want slam, mid-bass punch or a bass shelf — the low end extends but does not hit
  • Soundstage width is your first criterion — this is an in-your-head presentation
  • You listen for air and upper-treble sparkle, or chase planar-grade detail
  • You have a large head or deep ears: clamp grows with head size and the pads compress to the baffle
  • You cannot audition or return it — the channel-balance reports argue for checking your unit

The reviewer consensus

Agreement &
disagreement.

6 / 12topics divide opinion
6 Mostly agree6 Divided opinions

Common ground6

  • The midrange is the reason to buy: natural, full-bodied and vocal-forward, cited as the best feature by nearly every source
  • Build and materials are a class above the price — CNC aluminium cups, steel headband, no creaks, a genuinely useful flat case
  • Bass reaches 20 Hz flat on independent rigs — the HD 600-family roll-off is gone, whatever you make of the quantity

Points of contention7

  • Bass — authoritative and extended (Headfonia, ecoustics, Prime, most Head-Fi) vs light, soft and polite (headphones.com, Super* Review, Headfonics, the critics); the rigs show extension with no shelf
  • Treble — crisp and present vs pleasantly relaxed vs dark and hazy: the same 5–6 kHz bump and 8 kHz-plus cliff heard from different octaves
  • Soundstage — HD 6-series intimate for most; wider than an HD 600 for the minority who measure it against one

A closer listen.

12 topics · 6 divided
Left: criticalRight: positiveTighter lines: more agreement

Bass

Leans positiveDivided opinions
Reviewer sentiment25 supporting sources
CriticalNeutralPositive

Band: opinion spread · Dot: weighted average

Sources split on the same measured fact. Everyone agrees it reaches 20 Hz without the HD 600-style roll-off; the larger camp hears that as real authority, while the critical bench and several owners hear a low end that extends but does not punch — tight, polite, soft on the attack. There is no bass shelf on any independent rig, so the disagreement is about slam and quantity, not depth.

Measured

No bass shelf on any independent rig: Super* Review's KEMAR and Passion for Sound's B&K 5128 both hold 20 Hz within 0.3 dB of 500 Hz (Jaytiss's 5128 seating rolls off 4 dB), which is 4–5 dB under Harman 2015 below 100 Hz but 7.5 dB above an HD 600 and 3.8 dB above an HD 660S2 at 20 Hz on the same fixtures.

vs. listeners — The maker advertises a 5 dB shelf from 20 to 300 Hz and one review describes a basshead tuning with a 10 dB lift; none of the three rigs shows a shelf at all. The 'authoritative' camp is hearing extension, not quantity.

Where it splits
extended and authoritative for an open dynamic65%

“Sub-bass extension is excellent for an open-back dynamic driver, with the typical rolloff largely absent.”

Rudolfs, Headfonia
light and soft — extends but does not punch35%

“The bass is well-behaved but underwhelming. It extends reasonably well and remains tight, but it doesn’t deliver much impact or physicality.”

Andrew Park (Resolve), headphones.com
Link to this topic

The hardware

Specifications.

Checked

Design

Type
Open-back
Drivers
1 × 50 mm dynamic (N45 magnetic array, polymer-rubber composite diaphragm, copper-aluminum voice coil)
Housing
CNC-machined single-block aerospace aluminum earcups

Electrical

Impedance
32 Ω
Frequency response
20 Hz – 20 kHz

Connection

Cable
Detachable, dual-entry, 1.5 m
Connector
3.5 mm
Plugs supplied
3.5 mm, 6.35 mm

Physical

Weight
411 g
Dimensions
225 × 190 × 142.5 mm

Manufacturer-published figures, not measurements · from thieaudio.com.

Follow the evidence

Sources 37

1–6 of 37 sources

Read with context

Limitations & method.

As of

What to keep in mind 6

  1. A read of where the reviews land as of September 2026, six months after launch — the field is still settling, and a pad or production revision would change the picture.

  2. Three units have been measured and they agree on the shape, but three is a small sample for the channel-balance question; if you can, listen to your own pair with a mono track before the return window closes.

Where to buy Product & retailer links

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