ZMF Bokeh
ZMF's easiest-to-drive closed-back: widely loved for warm, slamming bass, a big stage and all-day comfort — argued over from 2.5 kHz up, and cursed by nearly everyone who has to swap its pads.
A wider view of audio gear
What reviewers agree on.
Where they disagree. What matters to you.
ZMF's easiest-to-drive closed-back: widely loved for warm, slamming bass, a big stage and all-day comfort — argued over from 2.5 kHz up, and cursed by nearly everyone who has to swap its pads.

Studio magazines call it a bargain reference; headphone forums call it an HD 560S with a black badge and a higher price.

The Monarch that traded the MKII's midrange for slam and air — and split its own audience doing it.

A three-way coaxial monitor in a five-inch box — near-unanimous on imaging and value, split on its lower midrange.

A $599 Class A amp that measures like a reference and is heard as either a straight wire or a soft, warm one — with its gain switches on the bottom.

A $350 twelve-track sequencer for small hybrid rigs — agreed on its value, size and generative tricks, split on whether its screenless, alt-key workflow ever stops being a puzzle, on how readable its white-on-white grid is, and on how rough its launch firmware was.
The dictionary
A boost in the bass and lower mids that gives music a rich, cozy, easy-on-the-ears character.
The perceived three-dimensional space of a recording — how wide, deep, and tall the sound appears.
An emphasis on the upper midrange and treble — vivid, clear, and sometimes sharp.
An even-handed sound with no part of the spectrum pushed forward or held back — balanced and reference-like.