AKG K712 PRO
The AKG with the bass put back — and a midrange dip that splits listeners between 'smooth and natural' and 'something's missing'.
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What reviewers agree on.
Where they disagree. What matters to you.
The AKG with the bass put back — and a midrange dip that splits listeners between 'smooth and natural' and 'something's missing'.

Nearly everyone who wears it hears the fuller, smoother MM-500 the studio asked for — the MM-500's own fans hear its best feature gone.

Flagship detail and a two-way bass switch in a big metal shell — near-unanimous on the technicalities, split on whether it fits you and whether its clean tuning reads as lean.

A 5-inch analogue monitor from Berlin that digs far deeper than its size and images like a much bigger speaker — with a ribbon-style top end most call silky and a few measurement readers call lifted.

A quarter-sized dongle that benched like a desktop DAC — and then had to survive its own firmware updater.

A $350 twelve-track sequencer for small hybrid rigs — agreed on its value, size and generative tricks, split on whether its screenless, alt-key workflow ever stops being a puzzle, on how readable its white-on-white grid is, and on how rough its launch firmware was.
The dictionary
A boost in the bass and lower mids that gives music a rich, cozy, easy-on-the-ears character.
The perceived three-dimensional space of a recording — how wide, deep, and tall the sound appears.
An emphasis on the upper midrange and treble — vivid, clear, and sometimes sharp.
An even-handed sound with no part of the spectrum pushed forward or held back — balanced and reference-like.