Sony WH-CH520
Sony's featherweight $40 on-ear — a battery that lasts for days and a sound most call balanced, with comfort and durability that split owners down the middle.
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What reviewers agree on.
Where they disagree. What matters to you.
Sony's featherweight $40 on-ear — a battery that lasts for days and a sound most call balanced, with comfort and durability that split owners down the middle.

An IEM brand's first planar headphone: liked for its bass and its metalwork, and heard as warm, as lively V-shaped or as balanced depending on who is listening.

Four tiny armatures tuned to hit like a subwoofer and sparkle at the very top — if your ears agree with a shell that has no vent.

Focal's walnut-clad nearfield that sits happily against a wall and images like few rivals — with a top end some call smooth and some call unforgiving, and an auto-standby almost everyone wants to switch off.

An $80 headphone amp with old-school tone knobs and a loudness button — great fun with the right headphones, less so with sensitive IEMs.

A $350 twelve-track sequencer for small hybrid rigs — agreed on its value, size and generative tricks, split on whether its screenless, alt-key workflow ever stops being a puzzle, on how readable its white-on-white grid is, and on how rough its launch firmware was.
The dictionary
A boost in the bass and lower mids that gives music a rich, cozy, easy-on-the-ears character.
The perceived three-dimensional space of a recording — how wide, deep, and tall the sound appears.
An emphasis on the upper midrange and treble — vivid, clear, and sometimes sharp.
An even-handed sound with no part of the spectrum pushed forward or held back — balanced and reference-like.