Philips Fidelio X2HR
The cheap open-back with a huge stage and a treble nobody can agree on — now discontinued, and still arguing.
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What reviewers agree on.
Where they disagree. What matters to you.
The cheap open-back with a huge stage and a treble nobody can agree on — now discontinued, and still arguing.

Audio-Technica's featherweight flagship finally has bass, and nearly everyone likes it. The argument now is over its treble, its headband and its $3,499 price.

Built for footsteps: the imaging is the one thing nobody argues about — whether it's a great music IEM is another matter.

The white-coned studio icon: praised for clarity and build, measured as bass-light and mid-forward, and argued over as a mixing tool.

The DIY tube amp that became the HD 650's default partner — measurably coloured, audibly loved, and only as good as your soldering.

The MiniLab with the octave everyone asked for — its keys and layout win reviewers over, while the missing aftertouch, the Shift-key transport and a plasticky shell keep the grumbles coming.
The dictionary
A boost in the bass and lower mids that gives music a rich, cozy, easy-on-the-ears character.
The perceived three-dimensional space of a recording — how wide, deep, and tall the sound appears.
An emphasis on the upper midrange and treble — vivid, clear, and sometimes sharp.
An even-handed sound with no part of the spectrum pushed forward or held back — balanced and reference-like.