HeadphoneOverreview

Bowers & Wilkins Px8

The press heard a balanced luxury flagship; three measurement rigs found a warm, bass-lifted one — and the owners who kept it found a headband that comes unglued.

33 sourcesUpdated
$479Typical US price

Score aggregates reviewer opinions across topics.

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Bowers & Wilkins Px8

The short version

What to know.

A 2022 closed-back wireless noise-canceller built as a luxury object — the flagship above the Px7 line, with a carbon-fibre cone and Nappa leather throughout. The firmest agreements are about the parts you can measure or touch: imaging and channel matching are a real strength, detail retrieval draws near-universal praise, the midrange is the most liked part of the sound, and nearly everyone finds it comfortable, with a firm clamp a minority feels after a few hours. Tonality is where sources part. Most editorial reviewers describe a balanced, even faintly cool presentation; three independent rigs measure a broad 4–6 dB bass lift and a presence region several dB below target, which RTINGS calls 'Warm', a group of reviewers enjoys, and a smaller group — SoundGuys, Resolve, RecordingNOW — finds odd or muddy. The same graph splits the treble three ways: smooth and sparkling, dark and short on air, or uneven with a resonance. Seating matters more than usual: one rig found two stable results depending on cup position. Noise cancelling is good by most accounts and behind Sony and Bose by many, but a minority rates it as good as anyone's and another calls it average for the money. Build splits on a different axis: reviewers rate the materials class-leading, while owners report headband leather coming unglued and early battery faults. Value divides almost evenly, and the case for it has improved now that the US price has fallen from $749 to $479.

About this product

The ORIGINAL Px8, on sale 28 September 2022 — a closed-back wireless noise-cancelling over-ear at 320 g, built on cast-aluminium arms with Nappa leather on the headband, earcups and pads, and with the model's one real acoustic difference from its cheaper siblings: a 40 mm Carbon Cone driver in place of the Px7's bio-cellulose, angled inside the cup so it sits parallel to the ear. Six microphones (four for noise cancelling, two for calls), Bluetooth 5.2 with SBC, AAC, aptX, aptX HD and aptX Adaptive, two-device multipoint, 30 hours of battery, and a USB-C port that feeds an onboard 24-bit DSP for wired listening; there is no passive mode, and the app offers bass and treble sliders only. NOT the Px8 S2 that replaced it in 2025 (a different headphone, now $749: aptX Lossless, eight microphones, five-band EQ) and not the Px7 S2, S2e or S3. Sold in Black, Tan, Royal Burgundy and Dark Forest, plus the James Bond 007 and McLaren editions, which are the same headphone in other clothes. Firmware has moved the tuning: B&W's 3.0 update re-voiced it (owners hear less mid-bass and more treble), while RTINGS measured 3.0 against 3.1 in the same seating and found no change.

In September 2022 Bowers & Wilkins built a pair of noise-cancellers as a luxury object first, priced them above Apple's AirPods Max, and dared anyone to object. Cast aluminium, Nappa leather, a carbon-fibre cone borrowed in spirit from the 700 Series loudspeakers — the Px8 was the flagship, and it was reviewed as one: five stars here, four-and-a-half there, awards from outlets that rarely hand them to Bluetooth cans.

Four years on, the picture is more interesting than the launch wave. The measurement rigs agree with each other but not with half the press about what it sounds like; the noise cancelling is praised and dismissed in roughly equal measure; and the owner forums tell a durability story the review loans never could. It has since been replaced by the Px8 S2, and the original now sells for far less than it launched at.

A good fit for

  • Listeners who want an object as much as a headphone — the materials genuinely are a tier above the mainstream ANC leaders
  • Vocal-led and acoustic listening — jazz, classical, classic rock — where midrange timbre matters more than sub-bass reach
  • Anyone who enjoys a warm, full-bodied tuning and wants it controlled rather than bloated
  • Precise instrument placement: the angled drivers give it better channel matching than the models above and below it
  • One headphone for commute and desk — the USB-C port feeds a real 24-bit DSP rather than being a charging afterthought
  • Buyers who can get it near today's $479, well below where every review was written

Think twice if

  • You want a neutral, reference-style tuning and will not EQ — three rigs measure it warm, and the app's two sliders are blunt
  • Noise cancelling is your first priority — Sony and Bose block more by most accounts
  • You want sub-bass slam or airy, extended treble; the lift sits in the upper bass and the treble averages below target
  • You wear headphones for very long stretches or have a large head — the clamp is deliberately firm and 320 g of metal makes itself felt
  • You expect premium materials to mean trouble-free ownership — owners report headband leather coming unglued, so buy where warranty service is easy
  • You want the current model's features — the Px8 S2 adds aptX Lossless, eight microphones and a five-band EQ

The reviewer consensus

Agreement &
disagreement.

6 / 12topics divide opinion
2 Strong agreement4 Mostly agree6 Divided opinions

Common ground8

  • Materials and finish are the least disputed thing about it on the review desk — cast-aluminium arms, Nappa leather on every contact surface, physical buttons and a good case.
  • Imaging and channel matching are a genuine technical strength: the angled drivers measure better-matched than both the Px7 S3 and the Px8 S2 that replaced it.
  • Detail retrieval and the midrange are where it pulls ahead — vocals planted and textured, with low measured distortion.

Points of contention8

  • Tonality: 'a lovely take on a flat response' vs a measured 'warm sound profile' — enjoyed by some, 'very strange sounding' to others — with seating and firmware both moving the result.
  • Bass: 'taut and controlled' with real weight vs an 'overwhelming' upper-bass lift that leaves the deepest sub-bass wanting.
  • Treble: smooth and sparkling vs dark and short on air vs uneven, with a mid-treble resonance or sibilance on some tracks.

A closer listen.

12 topics · 6 divided
Left: criticalRight: positiveTighter lines: more agreement

Tonality

Leans positiveDivided opinions
Reviewer sentiment20 supporting sources
CriticalNeutralPositive

Band: opinion spread · Dot: weighted average

Sources split three ways on what it even sounds like. The largest single group — mostly editorial reviewers — hears a balanced, accurate, even slightly cool tuning. A slightly smaller group hears it warm and bass-forward and likes it that way. A minority, led by two measurement sources, hears the same warmth as odd, boomy or muddy. Counted together, the warm readings are now the majority, and the three rigs that measured it support them. Seating moves the response enough that some of the disagreement is physical, not taste.

Measured

Three rigs agree on the shape. oratory1990's GRAS measurement sits 4–6 dB above the Harman target from 20 to 300 Hz (peak near 90 Hz) and 2.5–3 dB below it from 1.5 to 3.5 kHz; RTINGS' B&K 5128 bench (ANC on) shows the lift peaking higher, around 160 Hz, and the 1–2.5 kHz region about 5 dB under target; GadgetryTech's KB006x rig puts the 1.5–2.5 kHz band almost 8 dB below its own HD 6XX. RTINGS sums it up as Bass Amount “Very Emphasized (5 dB),” Treble Amount “Slightly Underemphasized (-2 dB)” and Sound Signature “Warm.” SoundGuys measures “a rather notable over-emphasis by about 5-7dB all the way up past middle-C” and scores MDAQS Timbre 4.0 against Immersiveness 4.8.

vs. listeners — The graph supports the warm camps, so the balanced camp needs explaining, and two explanations are on record. First, seating: Resolve found “two common results depending on the positioning of the headphone on the rig” and warned that “this is likely to be received differently by different people,” and RTINGS lists “Prone to inconsistencies in audio delivery.” as its headline con. Second, firmware: B&W re-voiced the Px8 by update — Trusted Reviews' re-review notes “the acoustic team at Bowers & Wilkins optimising the sound for all Px8 models through a firmware update” — and owners still argue about the next step: one warns “Do not update to version 3.1!” while another found “The 3.1 firmware sounded way better, more mid forward.” RTINGS measured 3.0 against 3.1 in the same seating and saw no change. Most of the balanced-camp reviews date from the 2022 launch firmware.

Where it splits
Balanced and accurate — neither too crisp nor too rich, and the tonal judgement is why you buy it.42%

“The headphones deliver a lovely take on a flat response.”

PCMag (Tim Gideon)
Warm and bass-forward — not neutral, and enjoyable precisely because of it.37%

“They have a warm sound profile that tones down the treble range in favor of an exaggerated bass range.”

RTINGS
Warm to a fault — a boomy, oddly shaped tuning that needs EQ to sound right.21%

“the PX8’s tuning is very strange sounding, as it has this boomy kind of bass presence on the low end, and a mid treble resonance on the high end”

Headphones.com (Resolve)
Link to this topic

The hardware

Specifications.

Checked

Design

Type
over-ear
Drivers
1 × 40 mm dynamic (Carbon Cone driver)
Microphone
Built-in

Connection

Cable
Detachable, 1.2 m
Connector
USB-C
Plugs supplied
3.5 mm
Bluetooth
Bluetooth 5.2aptX Adaptive, aptX HD, aptX, AAC, SBC
Noise cancelling
Yes
Battery
30 h
USB audio
Yes
Wired input
Yes

Physical

Weight
320 g

Manufacturer-published figures, not measurements · from bowerswilkins.com.

Follow the evidence

Sources 33

1–6 of 33 sources

Read with context

Limitations & method.

As of

What to keep in mind 7

  1. This is a read of where opinion lands as of October 2026, for a headphone launched in September 2022 — most of the professional reviews were written in the launch wave, at the $699 launch price and on early firmware.

  2. Fit matters more here than on most headphones. The response changes with where the earcups sit, so spend a minute settling them before you judge the sound, and treat any single review's tonal description as one seating out of many.

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