Band: opinion spread · Dot: weighted average
The root argument. Everyone hears the same two things — a big sub-bass shelf and an energetic upper half — but they name the result differently. The larger camp calls it warm, sweet and musical, a meta-style balance with extra bass; a smaller but insistent camp calls it V- or U-shaped and bright, with lifted upper mids and emphasised treble. The graph sits underneath both readings, which is why neither side is wrong.
Measured
Two independent rigs (AudioAmigo and A Tech Reviews on squig.link), normalised to 1 kHz, agree within about 0.5 dB below 12 kHz: roughly +8 dB at 20 Hz falling to +4 dB at 100 Hz and 0 dB by 200 Hz, a flat lower midrange, then +7 to +8 dB of ear gain at 2.5–3 kHz and a +6 dB peak at 5 kHz with a dip near 6 kHz. Objectively that is a U-shape with lively upper mids.
vs. listeners — Both camps are reading the same curve from opposite ends. The warmth is real but it is sub-bass warmth — the shelf is spent by 200 Hz, so there is little added lower-midrange body — while the ear gain and the 5 kHz peak are what the bright camp is hearing. Whichever end you notice first decides which word you reach for.
“Warmth gives the midrange fullness and a musical tilt that feels natural.”
Headfonics (Kurt)
“The Crescent is a V-shaped, teetering on U-shaped, IEM with an emphasized sub-bass, slightly-lifted mid-bass, flat lower-midrange, lifted upper-midrange, and emphasized treble.”
Resonance Reviews (Aaron)
