Band: opinion spread · Dot: weighted average
Sources split: the trade press reads a neutral, accurate monitor with a touch of warmth; both compensated rigs, crinacle and most owners read a warm, bass-lifted, gently U-shaped tuning that is likeable rather than flat. The split follows method — Sonarworks measures it flattest of Shure's closed-backs on its own target, oratory1990 scores it 67/100 against Harman — more than taste.
Measured
oratory1990 (GRAS 45BC KEMAR, Harman AE/OE 2018) scores it 67/100 for predicted preference before EQ with 2.53 dB average deviation from target; DIY-Audio-Heaven reads a +2 dB at 400 Hz to −2 dB at 4 kHz tilt on top of a ~6 dB bass lift; crinacle grades the tone A and files it under "Neutral with bass boost".
vs. listeners — Sonarworks' "exceptionally flat" and oratory1990's 67/100 come from different targets rather than different headphones: Sonarworks judges flatness above ~170 Hz and explicitly sets the 100 Hz bump aside, while the Harman-referenced score is dominated by that same bump. Which of them describes "neutral" is the whole disagreement.
“Okay, that's a really long way to introduce the idea that the Shure SRH1540 is quite close to flat, but is just a bit "U" shaped. You know "fun" sounding.”
Tyll Hertsens, InnerFidelity (Stereophile)
“All studio-oriented Shure closed-back headphones that we’ve ever measured are remarkably flat when compared to the competition and SRH1540 are the flattest of them all – like true flagship should be.”
Indrikis, Sonarworks
