HeadphoneOverreview

Audio-Technica ATH-M20x

The cheapest way into the M-Series — and reviewers can't agree whether its bass is missing or boosted.

36 sourcesUpdated
$59Typical US price

Score aggregates reviewer opinions across topics.

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Audio-Technica ATH-M20x

The short version

What to know.

A $59 closed-back studio headphone with 40 mm drivers, a fixed 3 m cable and a lightweight plastic frame. Sources broadly agree on two things: it is very good value for what it costs, and it is no detail or dynamics champion — transients are soft and fine detail stays on the surface. Measurements from five rigs agree on its shape: a modest mid-bass lift with little sub-bass below it, a forward upper midrange, a deep dip around 5 kHz and a narrow peak around 8 kHz. Nearly everything else is disputed, and much of the dispute follows that curve. Most reviewers call the bass light, while a sizeable minority hear warm or even boosted bass — the mid-bass is there, the low bass isn't, and the seal decides how much of either you get. Most hear a natural, present midrange; a minority hear it thin. The treble reads as relaxed and safe to some, veiled to others and uneven or harsh to a third group. Most call the overall balance close enough to neutral for tracking, but critics say it isn't accurate enough to mix on. The stiff, shallow pleather pads split comfort reports between all-day and painful within minutes. Isolation and build quality split the same way, with more voices calling isolation poor and the build cheap than not.

About this product

The wired, 40 mm closed-back entry model of the M-Series, with a fixed 3 m cable and no folding hinge. Not the ATH-M20xBT, the Bluetooth version with a detachable cable, nor the ATH-M30x one step up. The white ATH-M20xWH is the same headphone in another colour.

Audio-Technica's ATH-M20x is the bottom rung of the M-Series that the ATH-M50x made famous: the same studio look and 40 mm drivers, minus the folding hinge, the detachable cable and the carry pouch. At around $50 it has become a default first studio headphone, a stack-of-six tracking can for band rooms, and one of the most-rated headphones on Amazon.

Reviewers mostly agree it does more than its price suggests. What they can't agree on is what it does: the same headphone gets called bass-light and bass-boosted, relaxed and harsh, comfortable for hours and painful in minutes. The measurements explain much of that, and the shallow stock pads explain most of the rest.

A good fit for

  • Home-studio beginners, podcasters and voice actors who need a usable closed-back for tracking on a tight budget
  • Studios buying several tracking pairs that will get knocked around
  • Listeners who want a relaxed top end they can turn up without fatigue
  • Anyone happy to EQ the sub-bass and the 5 kHz dip, or to swap the pads

Think twice if

  • You listen mainly to bass-heavy music like EDM or hip-hop
  • You need to make low-end or sibilance decisions in a mix — the coloration sits right where those decisions live
  • You wear glasses or have large ears and plan long sessions on the stock pads
  • You need real isolation from loud rooms, live drums or a commute
  • You want a folding headphone or a replaceable cable — the M40x and M20xBT have them

The reviewer consensus

Agreement &
disagreement.

8 / 11topics divide opinion
3 Mostly agree8 Divided opinions

Common ground4

  • Strong value at around $50 — the default first studio headphone for good reason
  • Detail retrieval and dynamic punch are basic
  • Easy to drive from a phone or laptop (47 Ω), no amp needed

Points of contention8

  • Bass: light and missing low end vs warm, even boosted mid-bass — different octaves of one curve, moved by the seal
  • Midrange: natural and present vs thin and tinny in the lower mids
  • Treble: relaxed and safe vs veiled vs uneven and harsh — the 5 kHz dip and 8 kHz peak each have their camp

A closer listen.

11 topics · 8 divided
Left: criticalRight: positiveTighter lines: more agreement

Tonality

Leans positiveDivided opinions
Reviewer sentiment14 supporting sources
CriticalNeutralPositive

Band: opinion spread · Dot: weighted average

Sources split: most describe a balanced, neutral-leaning tuning that's good enough to track and monitor on — Sonarworks ranked it among the most neutral closed-backs it had measured. A smaller group says it simply isn't flat: the missing low bass and the hole around 5 kHz colour it enough that mix decisions in those ranges go wrong, and a few listeners found it thin or 'like an old radio'.

Measured

Sonarworks placed it among the seven most neutral closed-backs it had measured, with the upper-mid cut and treble boost held to about 5 dB each. Against the Harman 2018 target on oratory1990's GRAS rig it still deviates by about −10 dB at 20 Hz and −7 to −8 dB across 4–6 kHz.

vs. listeners — Both camps are reading the same curve. Through the midrange it tracks a neutral target closely, which is what the 'balanced' camp hears. At the extremes — sub-bass and the 4–6 kHz region — it doesn't, and those are exactly the ranges the 'can't mix on it' camp names.

Where it splits
Balanced and neutral-leaning — good enough to track and monitor on.68%

“That said, if you want to track a recording, these lend a good impression of what you're listening to.”

RTINGS
Not flat — too coloured at the extremes to mix on.32%

“if you wanted them for mixing application I'm going to say they're not accurate enough”

askdrtk (YouTube)
Link to this topic

The hardware

Specifications.

Checked

Design

Type
Closed-back
Drivers
1 × 40 mm dynamic

Electrical

Impedance
47 Ω
Frequency response
15 Hz – 20 kHz

Connection

Cable
Fixed, 3 m
Plugs supplied
3.5 mm

Physical

Weight
190 g
Released
2014

Manufacturer-published figures, not measurements · from audio-technica.com, thomann.de.

Follow the evidence

Sources 36

1–6 of 36 sources

Read with context

Limitations & method.

As of

What to keep in mind 5

  1. This is a read of where opinion lands as of October 2026. The M20x hasn't changed name or spec since 2014, but a couple of owners feel recent units are flimsier than early ones, so older durability praise may not describe a pair bought today.

  2. How much bass — and how much comfort — you get depends heavily on the seal and fit of the shallow stock pads. Glasses, head size and ear size all change it, so a stranger's verdict on either may not be yours.

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