Band: opinion spread · Dot: weighted average
The most-praised part of the set by a wide margin: deep, textured and — the recurring word — controlled, elevated well above neutral without bleeding into the mids. A minority hears it as loose or pillowy rather than tight, and several reviewers who like it still warn it is more low end than some will want.
“The bass is well-controlled and textured, without any bleed or bloat.”
Meldrick, Headfonics
“There may be some voodoo magic happening here but the bass of the Canon II is just so rich, thick, and texture while keeping it clean enough to not intrude on the midrange.”
@kesobie, Head-Fi
“Pillowy bass response. Not the most well textured DD-bass.”
@DestinoAzell, Head-Fi
Measured
Across six independent squig.link rigs, normalized at 500 Hz, the shelf runs about +6 to +9 dB at 50 Hz and is back within 1–3 dB of level by 200 Hz. The two switches move only that region: both up versus both down is +0.6 to +2.9 dB below 200 Hz (five of the six rigs read +0.6 to +1.7) and 0.3 dB or less anywhere above 500 Hz. The two intermediate modes measure within 0.3 dB of each other everywhere.
vs. listeners — One review reports that flipping both switches up 'gets you another 5dB of sheer bass'. No rig supports a figure that large; the biggest measured span is 2.9 dB and the median is nearer 1 dB. Reviewers who described the switches as subtle, and who counted three audible modes rather than four, are the ones the graphs agree with.
