Bass
Contested · 12 srcSources split hard. Everyone describes the same thing — deep but modest, mid-bass-led — and then disagrees about whether that is a well-judged neutral low end or the set's main limitation. The split tracks genre: acoustic and vocal listeners are content, EDM and hip-hop listeners are not.
Stock (silver nozzle, Atmosphere), the bass shelf measures about +5.6 dB at 50 Hz relative to 500 Hz and holds within a decibel all the way down to 20 Hz — genuinely flat extension, but roughly 4 dB less shelf than a Harman-style in-ear target. The dial spans 21.7 dB at 20 Hz across its four positions and only 3.9 dB at 200 Hz: it is a sub-bass high-pass, and the stock position is already the maximum.
⚠ vs. listeners — Both camps are reading the same curve. The sub-bass really is there — the trace is flat to 20 Hz — but there is simply less of it than a Harman-tuned rival, so 'well-extended' and 'not enough rumble' are both accurate; they weight extension against quantity differently. What no camp disputes is the direction of the dial: it subtracts.
“Bass is more focused in the midbass than sub bass, so it lacks a little sub bass extension and is noticeable when playing music like electronica or some hip hop.”
Leonarfd, Head-Fi
“The bass response is clean, controlled, and well-extended, with the DMT5 driver delivering impressive sub-bass extension and punchy, articulate mid-bass.”
Pragmatic Audio
