HeadphoneOverreview

Superlux HD 660 Pro

A $30–50 stand-in for a studio classic that measurement rigs call bass-lifted and very bright — and that most owners hear as thin, clear, comfortable and hard to argue with at the price.

22 sourcesUpdated
$45Typical US price

Score aggregates reviewer opinions across topics.

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Superlux HD 660 Pro

The short version

What to know.

A closed-back budget headphone whose sound depends on who is describing it. The two measurement rigs that hold a retail pair agree on a V-shape — a bass shelf a few dB above the Harman target and a 5–10 kHz region 5 to 10 dB hotter than an HD 600's — and the other curves published for it (DIY-Audio-Heaven, Audiofanzine, Custom Cans, Reference Audio Analyzer) show the same peak around 6–8 kHz. Listeners split on what that means: about three-fifths of the weighted opinion calls the treble sharp, sibilant or metallic and reaches for EQ; the rest hears clarity that doesn't hurt. The bass is the stranger argument — rigs measure plenty, most owners hear too little, and the reviewers who do hear it call it loose — which points at the seal and at the treble drowning it out. There is broad agreement that the midrange is even and clear, the stage wide for a closed headphone and the detail high for the price, and that the velour pads and moderate clamp stay comfortable for hours. Build divides: thin stamped metal with sharp edges, a thin fixed cable and scattered early failures on one side, pairs that have survived years of studio use on the other. As value it is mostly praised, with a firm minority — including one of its two professional reviews — saying the cost-cutting shows.

About this product

The HD 660 Pro (Superlux writes HD660PRO; Thomann, HD-660 Pro): a closed-back, over-ear studio headphone with a 40 mm driver, velour pads and a fixed single-sided cable, sold in 32 Ω and 150 Ω versions of one design — this review covers both. Not the older Superlux HD660 without the 'Pro' (pleather pads, a coiled cable, a different tuning), the open HD330 Pro or the HMD-660 headsets — and unrelated to Sennheiser's HD 660S.

Superlux's HD 660 Pro is a closed-back studio headphone from the Taiwanese budget specialist, on sale since 2020 as the successor to its plain HD660. Nobody misses the reference: the round cups, grey velour pads, steel yokes and single-sided cable follow Beyerdynamic's DT 770 Pro at roughly a third of the price. It comes in 32 Ω and 150 Ω versions that share a 40 mm driver and a cable you cannot unplug.

It has become one of Thomann's best-selling studio headphones, bought mostly as a tracking pair or a spare for home studios, podcasts and gaming. Its reputation is split in a way star ratings hide: owners rate it highly for comfort and price, the people who measure it find a treble peak well beyond the headphone it imitates, and its two professional reviews landed at 4.6 out of 5 and 4 out of 10.

A good fit for

  • Tracking and monitoring in a home studio, where a bright, detailed closed-back helps you hear what you're recording
  • A cheap, comfortable spare or guest pair
  • Long sessions of gaming, editing or podcasting at a desk
  • Listeners happy to EQ the treble down — owners who do say it sounds much better

Think twice if

  • You are sensitive to treble, or want to mix or master on them without EQ
  • You want strong, punchy bass out of the box
  • You need a detachable cable, a folding design or something to commute with
  • You need one headphone to survive years of rough handling

The reviewer consensus

Agreement &
disagreement.

6 / 12topics divide opinion
3 Strong agreement3 Mostly agree6 Divided opinions

Common ground7

  • A treble peak around 6–8 kHz is there on every curve published for it — the argument is only about whether it bothers you
  • The midrange is even and clear
  • The stage is wide for a closed-back at this price

Points of contention6

  • Treble: sharp, sibilant and metallic vs open and detailed without hurting — the peak is measured, the tolerance for it is personal
  • Bass: thin to most owners, deep enough to a few, plentiful but loose to two reviewers — rigs measure a shelf that a poor seal and the treble peak can hide
  • Tonality: balanced enough to monitor on vs bright and hollow unless equalised

A closer listen.

12 topics · 6 divided
Left: criticalRight: positiveTighter lines: more agreement

Treble

Leans criticalDivided opinions
Reviewer sentiment14 supporting sources
CriticalNeutralPositive

Band: opinion spread · Dot: weighted average

Sources split, and the split is about tolerance rather than fact: every curve shows a peak around 6–8 kHz. The larger camp — both measuring reviewers, the lowest-rated owner reviews, Reddit's sharpest critic — hears it as sharp, sibilant or metallic and says it needs EQ or a tissue in front of the driver. The smaller camp, led by headphonecheck and a good share of owners, hears open, detailed highs that stop short of harsh. Several in both camps note that the same lift is what makes it useful for spotting flaws while tracking.

Measured

Against an HD 600 on the same rig, the 5–7 kHz band is 6.6 dB higher on oratory1990's GRAS data and 7.9 dB higher on Filk's coupler, with 7–10 kHz 5 to 10 dB up (both 150 Ω); oratory1990's curve sits 5.5 dB over the Harman target at 5–7 kHz. DIY-Audio-Heaven measured a +15 dB spike at 7 kHz on pre-production pairs of both versions, Audiofanzine's curve of a 32 Ω pair shows a lift from 5 kHz to 18 kHz, Custom Cans' shows peaks near 6 and 8 kHz, and Reference Audio Analyzer's (in the Давай Запишем! video) a jump at 6 kHz. Filk's tissue-over-the-driver variant lowers 5–10 kHz by 5–6 dB.

vs. listeners — No rig supports 'not bright'. The listeners who find the treble fine are describing the same peak at a level they tolerate — and several of them use it for tracking, where a forward top end helps.

Where it splits
too much — sharp, sibilant, sometimes aggressive59%

“certaines percussions aiguës deviennent carrément agressives”

Audiofanzine (Pierre Caron; French: "some high percussion turns downright aggressive")
open and detailed without hurting41%

“At the same time, the trebles are not obtrusive.”

headphonecheck.com (Carsten Kaiser)
Link to this topic

The hardware

Specifications.

Checked

Design

Type
Closed-back over-ear
Drivers
1 × 40 mm dynamic (neodymium)

Electrical

Frequency response
10 Hz – 30 kHz

Connection

Cable
Fixed, single-entry
Plugs supplied
3.5 mm, 6.35 mm

Sold in 32 Ω and 150 Ω versions; Superlux publishes the same figures for both. Manufacturer-published figures, not measurements · from en.superlux.com.tw, thomann.co.uk, thomann.co.uk.

Follow the evidence

Sources 22

1–6 of 22 sources

Read with context

Limitations & method.

As of

What to keep in mind 6

  1. A read of where reviews, measurements and owner reports stood in November 2026 — a dated snapshot of a headphone that is still on sale.

  2. Most measurements are of the 150 Ω version. The 32 Ω one is reported to sound the same within normal pair-to-pair tolerance, but fewer rigs have checked it.

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