HeadphoneOverreview

Sennheiser HD 505

A midrange almost everyone loves in a featherweight shell — and a top end, a stage and a price that split the room.

35 sourcesUpdated
$330Typical US price

Score aggregates reviewer opinions across topics.

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Sennheiser HD 505

The short version

What to know.

Sennheiser's HD 505 is a 237 g open-back on the 500-series chassis with a new 120 Ω, 107.9 dB/V driver, sold mostly through Amazon and Sennheiser's own store. Sources broadly agree that the tuning sits close to neutral — seven measurement rigs put it near the HD 600 with more sub-bass, a touch more 2 kHz and 5 kHz, and less 3–5 kHz than the HD 560S — that the midrange and vocals are its best feature, that it is light and gently clamped but has a narrow, unslotted headband that gives some heads a hotspot, that bass is clean, well extended and short on slam, that it is easy to drive, that the build is durable plastic rather than premium, and that as an open-back it isolates nothing. Opinion splits four ways: the treble (smooth and fatigue-free for most of the press and owners, dry, papery or faintly sibilant for the measurement-minded reviewers — and measurably sensitive to where the cups sit), the soundstage (expansive versus a well-ordered 'headstage'), dynamics (lively versus soft and short on weight), and value, which swings on whether you pay the $329.95 list or one of the frequent sale prices near $200 — and on how you rate it against Sennheiser's own HD 560S, HD 550, HD 6XX and HD 600.

About this product

The copper-accented open-back (SKU 700453, the 'Copper Edition') that went on sale in February 2025: a 120 Ω dynamic transducer made in Ireland, angled forward in the cup, 237 g. Not the HD 550, its 150 Ω sibling, which Sennheiser positions as the neutral model against this one's 'analytical' tuning; not the HD 560S it closely resembles; and, per Sennheiser, the eventual replacement for the HD 599 SE. A gold-accented version is sold in China. The earcup socket is a 2.5 mm twist-lock, wired so that Sennheiser's separately sold 4.4 mm balanced cable works.

The HD 505 is Sennheiser's 2025 refresh of its entry audiophile open-back: the familiar plastic 500-series chassis with copper trim, a new 120 Ω driver angled in the cup, a lighter clamp, a leatherette headband and velour pads. Sennheiser calls it the 'analytical' half of a pair whose other half is the HD 550, and it is the model meant to take over from the long-running HD 599 SE.

It arrived carrying an awkward question — why buy it when Sennheiser's own HD 560S, HD 6XX and HD 600 sit around it on price — and nearly two years of reviews have not settled it. What they have settled is the midrange, the weight and the ease of driving it. What they still argue about is whether the top end is smooth or dry, whether the stage is big or merely tidy, and whether it is worth anything like its list price.

A good fit for

  • Vocal-led listening — singer-songwriter, jazz, acoustic, podcasts and dialogue
  • A first open-back for someone coming from closed-back or wireless headphones
  • Gaming and films where imaging, light weight and easy drivability matter more than slam
  • Running straight from a laptop, phone dongle or console with no amp
  • HD 600 fans who want the same broad balance with more sub-bass in a lighter frame

Think twice if

  • Bassheads and anyone who wants weight and slam without EQ
  • Treble-sensitive listeners — audition first and experiment with cup position
  • Anyone who wants a big, out-of-head soundstage
  • Heads that get hotspots from narrow headbands, or anyone wanting a premium metal build and standard cables
  • Anywhere around other people — it isolates and contains almost nothing
  • Buyers paying full list price when the HD 560S, HD 550, HD 6XX or a discounted HD 600 is in reach

The reviewer consensus

Agreement &
disagreement.

4 / 12topics divide opinion
1 Strong agreement7 Mostly agree4 Divided opinions

Common ground9

  • The midrange is the standout — forward, natural and articulate, with vocals the highlight.
  • Tuned close to neutral: seven measurement rigs put it near the HD 600 with more sub-bass, and with less 3.5–5 kHz than the HD 560S on every rig that holds both.
  • Widely heard as an improvement on the HD 560S — fuller, less edgy, lighter clamp.

Points of contention4

  • Treble: smooth and fatigue-free for most of the press and owners, dry, papery or faintly sibilant for the measurement-minded reviewers — and the response moves noticeably with where the cups sit, so try repositioning before you judge it.
  • Soundstage: an airy, expansive open-back to most listeners; a tidy but in-head 'headstage' to the more technical ones, with SoundGuys' immersiveness score on their side.
  • Dynamics: lively and unstrained to some reviewers, soft-edged and short on weight to others — largely the same people who want more bass.

A closer listen.

12 topics · 4 divided
Left: criticalRight: positiveTighter lines: more agreement

Tonality

PositiveMostly agree
Reviewer sentiment19 supporting sources
CriticalNeutralPositive

Band: opinion spread · Dot: weighted average

Broadly called balanced and close to neutral, and nearly every source that compares the two hears it as fuller and less edgy than the HD 560S. Where it lands around neutral depends on who you ask: Sennheiser's 'analytical' label sticks with some, others hear it as slightly warm, and several Head-Fi and ASR owners who came from the HD 600 call it that headphone's natural successor. The one dissent is DaemonXar, who hears the tuning as inconsistent from track to track.

“Tonality is pleasantly neutral, which allows the sound of a recording to take precedence over the sound of the headphones.”

Simon Lucas, TechRadar

“This sounds like an HD600 with better bass and spatial qualities.”

Mr Swing King, Audio Science Review forum (owner)

Measured

Seven rigs (oratory1990's GRAS, Crinacle's GRAS KEMAR, listener's B&K 5128, Super* Review, Kuulokenurkka, DaemonXar's EARS, Elrics) agree on the shape: against the HD 600 on the same rig it carries more sub-bass, about 1 dB more around 1.5–2 kHz and more energy at 5–6.5 kHz; against the HD 560S it has 0.6–3.1 dB less at 3.5–5 kHz on every rig that holds both. Against the Harman over-ear target (oratory1990) it stays within about 2 dB from 150 Hz to 6.5 kHz. unheardlab measures the impedance at 137 Ω at 1 kHz and notes that a high-output-impedance amp lifts the response around the bass impedance peak.

Link to this topic

The hardware

Specifications.

Checked

Design

Type
Open-back over-ear
Drivers
1 × dynamic (120-ohm transducer made in Ireland)

Electrical

Impedance
120 Ω
Sensitivity
107.9 dB/V≈ 98.7 dB/mW
Frequency response
12 Hz – 38.5 kHz

Connection

Cable
Detachable, single-entry, 1.8 m
Connector
2.5 mm
Plugs supplied
3.5 mm, 6.35 mm

Physical

Weight
237 g

Manufacturer-published figures, not measurements · from support.sennheiser-hearing.com, us.sennheiser-hearing.com, us.sennheiser-hearing.com.

Follow the evidence

Sources 35

1–6 of 35 sources

Read with context

Limitations & method.

As of

What to keep in mind 8

  1. A read of where the reviews land as of October 2026 — Sennheiser's HD 550 and newer rivals keep shifting the comparison.

  2. How bright it sounds depends a lot on where the earcups sit: a few millimetres forward and the top end lifts, which is a big part of why reviewers disagree. Try repositioning before deciding it is too hot.

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