A single-dynamic-driver IEM in a small MIM stainless-steel shell, about $51, sold in two tunings. Measurements put POP about 2–3 dB above the Harman target in the upper bass and REF leaner, with sub-bass 2–4 dB under. Both have a strong ear-gain peak near 3 kHz and lifted upper treble. Comfort is the clearest agreement: the shell is among the smallest around, and most find it fits for hours, though larger ears can feel the edges and the steel adds a little weight. Value, detail, imaging and isolation rate well for the price, and the soundstage is moderate rather than wide. Treble is the main split, with sources almost evenly divided: one side hears it bright but clean and not harsh, the other hears sharpness or splash at times, mostly on REF and at higher volume. Vocals split the same way between clear and thin or shouty. Bass is mostly praised on POP and called light on REF. Build divides between a premium-feeling metal shell and a run of owner reports of one channel failing or cutting out, plus complaints about the thin, 4.4 mm-only cable.
About this product
Sold in two tunings with identical hardware, each its own listing at about $51: REF, the leaner and brighter one that follows the original LAN, and POP, which adds about 2 dB of bass and slightly less upper midrange. The faceplate logo and box colour tell them apart. This review covers both and says which one a comment is about. Not the original LAN (2023, about $40–45).
Moondrop's LAN II arrived in September 2025 as the follow-up to the original LAN, a $40 set that won a following for its lean, clean single-dynamic sound. The new one keeps the small stainless-steel shell, moves to a 10 mm driver with a glass-dome diaphragm and a 4.4 mm balanced cable, and costs about $51. It also comes in two tunings, sold separately: REF, which stays close to the original, and POP, with more bass for mainstream music.
Measurements agree on what separates them: on every rig but one, POP carries about 2 dB more bass and a little less upper midrange. Both share the same pronounced ear-gain peak and treble lift, which is where most of the argument about this set happens.