Band: opinion spread · Dot: weighted average
Sources split three ways on whether the X26 Pro has an audible character, and whether it is a good one. The bench is not in doubt: ASR measured 119 dB SINAD at 4 V from the XLR outputs and 121 dB at full output, L7Audiolab 119–123 dB, GoldenSound 125 dB of dynamic range — figures where distortion and noise sit far below audibility. The largest camp, mostly reviewers and long-term owners, hears more than that: Soundnews a warm, dense midrange and heavy bass it rates alongside its $3,000 reference, DrummerLeo a warm-neutral tuning close to far dearer DACs, Head-Fi and HiFiVision owners a natural, spacious sound that outdid their Topping and Chord DACs. A second camp hears a flaw: GoldenSound calls the timbre slightly dry and the stage no bigger than a cheaper SMSL's, and owners describe a flat, two-dimensional stage, a glassy top end next to a Topping, or a hard, bright sound out of the box. A third camp says the measurements are the story: Amir praises the engineering but not any sound, one owner who compared it with an SMSL SU-8 heard no difference, and another expects it is identical in transparency to a D90SE.
Measured
ASR: SINAD 119 dB at 4 V (XLR), 121 dB at full output after the firmware fix; RCA a couple of dB lower. L7Audiolab (APx): 119.3 dB at 4.07 V and 122.5–123.1 dB at 5.13 V balanced. GoldenSound (APx555): AES17 dynamic range 125.4 dB, SNR 127 dB; its third harmonic rises about 15 dB at −3 dBFS versus full scale, still at very low levels.
vs. listeners — The bench puts every distortion and noise product far below audibility, which is the third camp's point. The other two camps describe opposite characters from the same box, and most of those impressions come from sighted, unmatched comparisons. Soundnews' own level-matched blind test against its $3,000 Matrix Element X found the two almost indistinguishable, with only small differences in midrange density.
“The biggest surprise was its warmer tonality, it packs muscle mass in the midrange, opposed to popular belief that ESS-Sabre unit cannot form a denser midrange.”
Sandu Vitalie, Soundnews
“timbre of instruments and vocals is just a little bit on the dry side”
GoldenSound (video review)
“It shows that you can build a DAC (almost) from scratch and get superb performance”
Amir Majidimehr, Audio Science Review
