Band: opinion spread · Dot: weighted average
The reason the Annihilator has a reputation. Near-unanimous across editorial, community and critical sources as best-in-class electrostatic treble — very extended, very fast, and specifically not sibilant. The dissent is not about quality but about tolerance: several listeners who admire it also say it fatigues them within the hour.
“it’s not often you see treble rising upwards at 5KHz and basically staying elevated with minimal dips right through to the air frequencies”
Guy Lerner, The Headphone List
“There's no question that this is a brighter treble response that some listeners might find fatiguing via extended listening, higher volumes, or on particular tracks.”
Precogvision, Headphones.com
“It’s hard for me to listen to Annihilator for more than 30-45 minutes, as the treble energy gets the better of me.”
Neeoo, Head-Fi
Measured
Both rigs show the same structure, normalised to their own 500 Hz: a peak at 3.6–4 kHz (+11.9 dB on a clone IEC-711, +12.4 dB on a B&K 5128) dropping into a notch at about 6.15 kHz (+3.3 dB and +6.8 dB respectively) — an 8.6 dB and 5.6 dB dip straight through the classic sibilance band — then 7–12 kHz held 7–10 dB above the midrange on both.
vs. listeners — Above 13 kHz the two rigs stop agreeing, which matters because that is exactly the air the set is famous for: the 711 clone falls to −2.4 dB at 14 kHz while the 5128 still reads +7.7 dB at 15 kHz. The top octave is coupler-dependent, so neither curve settles the extension claim on its own.
