Band: opinion spread · Dot: weighted average
The defining split, about two to one. Most reviewers, the review-tour writers above all, hear a forward, extended, airy micro-planar treble that stays smooth and non-fatiguing despite the boost. A sizeable minority, led by several ranking-list reviewers and owners who bought it, hear it as sharp, brittle or sizzly, with fatigue building over a session. Even fans warn treble-sensitive listeners to demo first. Tips, source and an impedance adapter all move it.
Measured
Across 23 squig.link rigs (median, normalised at 500 Hz vs Harman IE 2019), 8 kHz sits +1.6 dB over the target but ranges from −7.0 to +4.7 dB by rig and seating, 10 kHz sits 3.5 dB under, and 12 kHz and 16 kHz sit +4.4 and +11.5 dB over. A 15–75 Ω source (Audio Amigo's and Super* Review's adapter files) cuts 8 kHz by 2–3 dB and 12 kHz by up to 3 dB.
vs. listeners — The ear gain measures 4–5 dB under the target, so the treble is not loud in the presence region, yet critics call it sharp. The likely causes are the fit-dependent 8 kHz lift and the very large upper-treble boost, set against the lean lower midrange. How deep the set sits and what drives it move exactly these regions.
“it's both forward and super smooth”
Super* Review (YouTube, 5/5)
“You pay for the detail with a fatiguing, sharp treble presentation.”
Audio Amigo (IEM rating list)
