Band: opinion spread · Dot: weighted average
Sources split four ways over what replaced the old Beats boom. The largest group hears a balanced, close-to-neutral tuning — the most neutral Beats yet. Others hear it bright and thin, with the top end pushed forward and the low end short of weight; a smaller group hears it dull, muddy or congested; and a few hear a mildly sculpted V with lifted bass and treble. Almost no one hears the classic bass-heavy Beats sound.
Measured
RTINGS labels the bass 'Slightly Underemphasized (-1 dB)', the treble 'Slightly Emphasized (1 dB)' and the signature 'Bright', and rates its frequency-response consistency as amazing once the cups are seated. Its B&K 5128 curve, normalised at 500 Hz, stays within about 1 dB of RTINGS' target from 20 to 300 Hz, sits about 3 dB above it at 1 kHz and 3 kHz and 4–5.5 dB above it at 4–5 kHz, and stays 2–4 dB above it from 6 to 12 kHz. On the same rig it has about 4–5 dB less deep bass than the over-ear Studio Pro and 5–7 dB less upper bass (100–200 Hz) than Sony's WH-1000XM5. SoundGuys and TechGearLab both measure less bass and more treble than their own preference targets (SoundGuys' MDAQS overall score: 3.9 of 5); Fnac's lab scores the frequency response 7.5 of 10.
vs. listeners — The measurements support the balanced and bright camps — bass close to neutral, upper mids and treble lifted — and neither the dull nor the bass-led verdicts. Which camp a reviewer lands in tracks the reference: against a neutral target it measures nearly flat in the bass, while against bass-boosted consumer headphones and older Beats it sounds lean and bright. As an on-ear headphone it also depends on how well the pads seal; RTINGS and SoundGuys both note the result changes with how the cups are seated.
“They're a lot more neutral-sounding, which fans of Beats' previous bassy offerings may find a tad disappointing, but it's a win for those looking for something more balanced.”
RTINGS
“Sans afficher de réelle distorsion, le haut du spectre paraît en majorité un peu trop en avant à l'oreille.”
Les Numériques (Guillaume Fourcadier) — the top of the spectrum sounds a little too far forward
“The lower mids are also disappointingly muddy, but the upper mids are pleasantly crisp without being harsh.”
TechRadar (Lewis Maddison)
“Although the sculpting here is obvious between the boosted lows, accentuated highs, and somewhat scooped mids, it's not as exaggerated as on some competing models.”
PCMag (Tim Gideon)
