In-Ear MonitorOverreview

Audio-Technica ATH-E70

A ten-year-old monitor whose treble depends on what you plug it into.

42 sourcesUpdated
$439Typical US price

Score aggregates reviewer opinions across topics.

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Audio-Technica ATH-E70

The short version

What to know.

A triple-armature monitor with a bass shelf, a deep dip from 3 to 6 kHz, and a narrow treble peak near 7 to 8 kHz. Sources broadly agree that it isolates very well and has clear, full mids, with a wide stage and good placement; those points hold across press, owners and hobbyists, with a few dissents. They split on treble, where a dull or rolled-off camp, a sharp or sibilant camp and a well-judged camp all describe the same earphone. One bench shows why that may be: moving from a 0.47 Ω to a 47 Ω output lowers the region above 8 kHz by up to about 8 dB and lifts 1 to 2 kHz by about 4.5 dB, and owners report that ear tips shift the same band. Most sources praise the bass, though a smaller group hears little weight, often without a full seal. Comfort splits on the stiff memory wire and bulky shell. Value divides those who compare it with stage monitors from those who compare it with newer IEMs at the price. Owner reports of cable stiffening and failure exist, but they are few against several long-use reports.

About this product

The flagship of Audio-Technica's E-Series. Not the ATH-E40 (dynamic) or ATH-E50 (single balanced armature), which launched beside it, and not the older IM-series.

Audio-Technica's ATH-E70 is a triple balanced-armature in-ear monitor with one driver each for lows, mids and highs, a proprietary A2DC detachable cable and a clear window over its crossover board. It was announced at NAMM in January 2016 as the top of the E-Series and is still in the catalogue ten years later at $439.

It has two reputations. Working musicians and Japanese owners tend to treat it as a settled reference, and it has picked up a following among FPS players. IEM hobbyists have been cooler, grading it as ordinary for the money. The sharpest argument is about treble, which the same set is accused of having too little and too much of, and the measurements suggest both complaints have a physical cause.

A good fit for

  • Musicians and engineers who need high isolation on stage or while tracking
  • Listeners who can try tips and sources, or who already run a few ohms of output impedance
  • Bass players and others who want real low end from an all-armature set
  • Buyers who can find one at a used price well under retail

Think twice if

  • You're sensitive to sibilance and listen from a very low-impedance source with stock tips
  • You want open, airy treble without EQ
  • You want standard MMCX or 2-pin cables
  • You're sensitive to fit, or dislike stiff memory wire
  • You're buying purely for listening value at $439

The reviewer consensus

Agreement &
disagreement.

6 / 12topics divide opinion
6 Mostly agree6 Divided opinions

Common ground4

  • Very strong passive isolation, especially with foam tips
  • Clear, full midrange and good coherence between its three drivers
  • Usually heard as wide-staged, with useful placement for monitoring and games

Points of contention6

  • Treble: sharp and sibilant, rolled off and dull, or clean, with source impedance and tips moving the result
  • Bass: a highlight for most, light for those without a full seal
  • Tonality: neutral monitor or warm and dark, on a curve well under Harman from 3 to 6 kHz

A closer listen.

12 topics · 6 divided
Left: criticalRight: positiveTighter lines: more agreement

Treble

Leans criticalDivided opinions
Reviewer sentiment27 supporting sources
CriticalNeutralPositive

Band: opinion spread · Dot: weighted average

Sources split three ways on one curve: rolled off and dull, sharp and sibilant, or clean and well judged. The split tracks source impedance and ear tips more than taste alone.

Measured

Dung Le's rig sits 8 to 11.5 dB under Harman IE 2019 from 3 to 6 kHz, then peaks about 5.7 dB over it at 7 to 8 kHz (highest at 7.9 kHz) and falls below it again above 10 kHz. Crinacle's EQ for his 711 curve has the same shape, with the narrow cut at 6.9 kHz. Above 8 kHz earfonia's graph differs from both, with a second bump near 14 kHz. On that graph, going from a 0.47 Ω to a 10 Ω output lowers 9 kHz by about 5 dB, and 47 Ω lowers it by about 8 dB.

vs. listeners — The curve supports both complaints: the 3 to 6 kHz dip reads as dull and the narrow peak as splash. Listeners place the problem at different frequencies (5 to 6 kHz, 8 to 9 kHz, 12 to 14 kHz), which fits rigs and ears disagreeing up there. Owners who name their setup report the most glare on sources near 0 Ω and with stock silicone tips, and less with a few ohms of output impedance, foam or wide-bore tips.

Where it splits
Sharp: splashy cymbals and hot sibilants, especially from low-impedance sources47%

“The splashy treble is ultimately a fatal flaw for the ATH-E70”

yukitq (AudioRambles), Head-Fi
Rolled off: smooth to some, dull to others33%

“it's rolled off enough to make stringed instruments sound dull”

lachlanlikesathing
Clean and well judged19%

“Clean and clear sound with a slight warm tilt without losing treble sparkle.”

Crinacle, In-Ear Fidelity
Link to this topic

The hardware

Specifications.

Checked

Design

Type
In-ear monitor
Drivers
3 × balanced armature3BA

Electrical

Impedance
39 Ω
Sensitivity
109 dB/mW≈ 123.1 dB/V
Frequency response
20 Hz – 19 kHz

Connection

Cable
Detachable, 1.6 m
Connector
A2DC
Plugs supplied
3.5 mm

Physical

Released
2016

Manufacturer-published figures, not measurements · from audio-technica.com.

Follow the evidence

Sources 42

1–6 of 42 sources

Read with context

Limitations & method.

As of

What to keep in mind 5

  1. A read of where reviews and owners stand as of November 2026. Most detailed reviews date from 2016 to 2019, and IEMs around this price have moved on since then.

  2. Owner star ratings skew positive, since they mostly come from people who chose to buy it.

Where to buy Product & retailer links

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