Band: opinion spread · Dot: weighted average
Sources split three ways on one curve: rolled off and dull, sharp and sibilant, or clean and well judged. The split tracks source impedance and ear tips more than taste alone.
Measured
Dung Le's rig sits 8 to 11.5 dB under Harman IE 2019 from 3 to 6 kHz, then peaks about 5.7 dB over it at 7 to 8 kHz (highest at 7.9 kHz) and falls below it again above 10 kHz. Crinacle's EQ for his 711 curve has the same shape, with the narrow cut at 6.9 kHz. Above 8 kHz earfonia's graph differs from both, with a second bump near 14 kHz. On that graph, going from a 0.47 Ω to a 10 Ω output lowers 9 kHz by about 5 dB, and 47 Ω lowers it by about 8 dB.
vs. listeners — The curve supports both complaints: the 3 to 6 kHz dip reads as dull and the narrow peak as splash. Listeners place the problem at different frequencies (5 to 6 kHz, 8 to 9 kHz, 12 to 14 kHz), which fits rigs and ears disagreeing up there. Owners who name their setup report the most glare on sources near 0 Ω and with stock silicone tips, and less with a few ohms of output impedance, foam or wide-bore tips.
“The splashy treble is ultimately a fatal flaw for the ATH-E70”
yukitq (AudioRambles), Head-Fi
“it's rolled off enough to make stringed instruments sound dull”
lachlanlikesathing
“Clean and clear sound with a slight warm tilt without losing treble sparkle.”
Crinacle, In-Ear Fidelity
