Band: opinion spread · Dot: weighted average
The one genuinely contested axis. The measured facts are agreed: versus the original Zero the Zero:2 tames the old upper-treble peak and drops presence through roughly 4-8 kHz, so it's smoother, safer and less airy. Where reviewers split is on the verdict. One camp — most editorial reviewers and comfort-first listeners — calls it non-fatiguing and ear-friendly, a clear improvement on the OG's occasional harshness. A measurement-backed camp calls it too recessed/dark, short on sparkle, and best restored with a touch of EQ. A lone outlier (Headphonesty) still finds it can get shouty on busy tracks.
Measured
Both a GRAS 45CA (ASR) and a B&K 5128 (Resolve) read the same tilt: the original Zero's upper-treble peak is removed and there's a real dip through the 4-8 kHz region — amirm quantifies it as a '5+ dB' treble shortfall; Acho Reviews' squig.link work calls the 5-6 kHz dip 'a little too pronounced.' Upper-treble air rolls off, so sparkle is reduced. amirm's AB tests preferred a treble-lifting EQ.
vs. listeners — Same measured smoothing, opposite verdicts: what one camp hears as 'safe and non-fatiguing' the other measures as a 5 dB shortfall and hears as 'recessed/dark.' The two heaviest measurement sources land on the critical side — amirm preferred EQ, and Resolve's ranking-list note is bluntly 'Treble is still a problem' — while most subjective reviewers count the calmer top as an upgrade.
“This results in a more laid-back treble, stepping back from the limelight while still unravelling sufficient details.”
Prime Audio
“the highs were a little recessed and at times I was hearing bass I didn't even know was there!”
Audio Science Review (amirm)
