Band: opinion spread · Dot: weighted average
Praised almost unanimously — with a condition. On the DSP 'Dusk Default' preset (or its three published filters applied from your own source) the DUSK is called balanced, natural and among the best-tuned IEMs at any price; on the analog cable it reads as lean, forward in the low mids and airy on top — 'reasonable but not exceptional' at best, 'thin, honky, and bright' at worst. Nearly every source prefers the DSP version; the argument is over how much the analog one matters.
“Default DSP preset is among the best tuned out-of-the-box experiences in the entire IEM market”
Listener (Griffin Silver), headphones.com
“it's not nearly as good as the dusk default DSP preset with the DSP cable like it's not even close”
Resolve, The Headphone Show (on the analog tuning; via YouTube transcript)
“Generally well balanced if slightly lean and with some crunch in the upper-treble that distracts.”
Precogvision's IEM Rankings (Dusk, no DSP: 6.3/10)
Measured
31 IEC-711 rigs agree on the analog shape: an ~8 dB sub-bass shelf that sits 1–2 dB under Harman IE 2019 below 60 Hz and rejoins it by 200 Hz, an ear gain that starts on-target at 1–1.5 kHz and then peaks 3.7–4.2 dB under Harman across 3–4 kHz, lower treble 3–5 dB under Harman at 5–7 kHz, and the only excess at 14–16 kHz (+3 and +11 dB). The DSP Default preset, paired on 22 of the same rigs, is exactly Crinacle's three cuts — −1.7/−2.4/−1.8 dB at 1/1.5/2 kHz, −2.6 dB at 5–6 kHz, −3.2/−4.0 dB at 12/14 kHz — and adds only 0.3–0.5 dB of bass; the warmth everyone hears is the mids and treble coming down, not the bass going up. RTINGS (B&K 5128) files the result as 'Warm': bass slightly emphasised (+2 dB), treble slightly under-emphasised (−3 dB).
