HeadphoneOverreview

Sennheiser HD 600

Twenty-nine years as the hobby's yardstick — natural, honest and light, with a bass and a stage people still argue about.

29 sourcesUpdated
$279Typical US price

Score aggregates reviewer opinions across topics.

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Sennheiser HD 600

The short version

What to know.

A light, 300-ohm open-back that nearly every source treats as a neutral reference. Nine measurement sources agree on the shape: flat from 100 Hz to 1 kHz, a small lift around 3 kHz, treble close to target, and a sub-bass that falls away below about 50 Hz. Its natural, slightly forward midrange and timbre are the headline strengths — vocals above all — with imaging, comfort and repairability close behind; the soundstage is intimate and small, the most repeated knock after bass. Three things split the room. Bass: most sources call it too light for modern music, a minority calls it tight, punchy and enough. Treble: smooth and well judged to most, veiled or dull to a critical minority — a split that measurably tracks pad wear, which darkens the 5–8 kHz region by several dB. And character: an engaging reference to some, 'boring' to others, a verdict that also moves with amplification. It wants a real amp, leaks freely, and at its usual street price near $280 is still widely called one of the best buys in the hobby.

About this product

Open-back, 300 Ω — the neutral reference of the HD 580/600/650 family. Brighter and leaner than the warmer HD 650 and its near-identical Drop HD 6XX (the difference is a dB or two, and pad wear shrinks it). The current matte-grey build replaced the blue-marble finish in 2019, and later pads are stiffer and longer-lasting; the sound is the same headphone.

The HD 600 is the headphone the audio world measures others against. Introduced in 1997 as the metal-grilled successor to the HD 580, Sennheiser's 300-ohm open-back has spent nearly three decades as a default reference — on mastering desks, measurement rigs and first 'serious' setups — kept alive by off-the-shelf spare parts and by its warmer siblings, the HD 650 and the cheaper Drop HD 6XX.

Its reputation rests on tonal honesty: nine measurement sources agree on its shape, and oratory1990's puts it within about 2 dB of a neutral target from 100 Hz to 8 kHz, and reviewers keep reaching for 'timbre' and 'vocals' when they explain why they still own one. The arguments are about what it leaves out — the lowest octave, a wide stage, a sense of excitement — and about a treble that reads smooth on fresh pads and dull on tired ones. This rebuild draws on 28 independent sources, from the labs to 3,000 Amazon owners.

A good fit for

  • Listeners who want neutral, natural tonality — mixing, critical listening, acoustic, classical and jazz
  • Vocal-centric listeners who put timbre ahead of bass and stage
  • People with (or planning) a proper desktop amp
  • Long sessions — light, breathable and comfortable once the clamp eases
  • Anyone who wants a headphone they can keep repairing for decades

Think twice if

  • You want sub-bass rumble and slam without reaching for EQ
  • You want a wide, out-of-head soundstage — for gaming especially
  • You want an exciting, colourful tuning — neutral reads as boring to some
  • Your only source is a phone or a weak dongle
  • You need isolation, or to listen without disturbing others
  • You won't replace the pads every year or two — worn pads change the sound

The reviewer consensus

Agreement &
disagreement.

3 / 12topics divide opinion
1 Strong agreement8 Mostly agree3 Divided opinions

Common ground9

  • Neutral, natural tonality — nine measurement sources agree on the shape, within about 2 dB of target from 100 Hz to 8 kHz on oratory1990's rig.
  • The midrange and timbre are the headline strength; vocals above all.
  • Sub-bass rolls off below about 50 Hz, with no bass shelf.

Points of contention3

  • Bass: too light for modern music (most sources) vs tight, punchy and enough (a minority) — everyone agrees the sub-bass rolls off.
  • Treble: smooth and well judged vs veiled, dark or dull — a split that tracks pad wear, which measurably darkens 5–8 kHz.
  • Character: an engaging, snappy reference vs 'boring' — partly amplification, partly a preference for more colourful tunings.

A closer listen.

12 topics · 3 divided
Left: criticalRight: positiveTighter lines: more agreement

Tonality

PositiveMostly agree
Reviewer sentiment25 supporting sources
CriticalNeutralPositive

Band: opinion spread · Dot: weighted average

The core identity and a broad agreement: neutral, natural and close to target, with a slight mid-forward tilt rather than the HD 650's warmth. The measured deviations are small; the complaints are about what the balance lacks (sub-bass, excitement), not about colour.

“Their flat sound profile is well-aligned with our target curve, with the exception of the bass range, which is rolled off due to their open design.”

RTINGS

“It is exceptionally ‘flat’ from 30Hz to (at least) 20kHz +/- 3dB.”

DIY-Audio-Heaven (Solderdude)

“Great for natural, normal tonal balance with a hint of sweetness and flare to keep it interesting. Awesome for vocals”

Resolve, headphones.com ranking list

Measured

oratory1990 (GRAS vs Harman over-ear 2018): within ~±1.7 dB of target from 100 Hz to 8 kHz, −4.9 dB at 50 Hz and −11 dB at 20 Hz. Against the HD 650 on the same rigs it is essentially identical below 1 kHz and 0.5–1 dB brighter at 2–6 kHz (oratory1990, Listener's B&K 5128) — the whole of the famous difference.

Link to this topic

The hardware

Specifications.

Checked

Design

Type
Open-back over-ear
Drivers
1 × 42 mm dynamic (aluminium voice coil)

Electrical

Impedance
300 Ω
Sensitivity
97 dB/V≈ 91.8 dB/mW
Frequency response
12 Hz – 40.5 kHz

Connection

Cable
Detachable, dual-entry, 3 m
Connector
Sennheiser 2-pincommunity-sourced
Plugs supplied
3.5 mm, 6.35 mm

Physical

Weight
260 g

Manufacturer-published figures, not measurements · from us.sennheiser-hearing.com, thomannmusic.com. Connector not published by the maker — community-sourced from hands-on reviews: diyaudioheaven.wordpress.com, youtube.com.

Follow the evidence

Sources 29

1–6 of 29 sources

Read with context

Limitations & method.

As of

What to keep in mind 7

  1. This is a read of the consensus as of September 2026. The HD 600 has been made since 1997, so reviews span several production runs, pad versions and price points — and tastes have drifted toward more bass since.

  2. Pads matter more than usual here: worn pads noticeably dull the treble, so a used pair, or one heard after a few years of daily use, can sound darker than a new one.

Where to buy Product & retailer links

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