Band: opinion spread · Dot: weighted average
Broad agreement that this is a neutral-leaning studio tuning with a little extra energy at both ends — 'stunningly neutral' to the pro-audio press, 'mildly U-shaped' or 'neutral leaning bright' to the enthusiast measurers, warm-of-neutral to a few. The dissent is small and comes from newcomers (it sounds 'recessed' after an HD 599) and from one German lab that found it less balanced than promised; nobody calls it coloured in the way the R50x is.
“the ATH-R70xa delivers a stunningly neutral, balanced tone with impressive depth and clarity. Nothing sounds hyped, exaggerated or pushed.”
Paul Vunk Jr., Recording
“Although the sound is not as balanced and natural as promised, the ATH-R70xa still delivers in every respect.”
Dr Carsten Kaiser, headphonecheck
“The R70xa is special because nothing is overdone or underdone.”
kman1211, Head-Fi
Measured
Seven fixtures — oratory1990's and sai's GRAS 43AG, Earphones Archive's B&K 5128, Elrics' 711/KB50xx (two units), aden's three-seating clone, Capra and Gadgetry Tech's KB006x clone — draw the same shape: a bass shelf +1.4…+2.3 dB above Harman OE 2018 at 100–200 Hz that rolls off below ~60 Hz, 200 Hz–3.5 kHz within about ±2 dB of target, a 4–5 kHz trough on every rig, a 7–9 kHz lift on the GRAS/clone rigs and a ~10 kHz notch. On oratory1990's sheet vs Harman: 20 Hz −8.7, 40 Hz −4.1, 100 Hz +0.6, 200 Hz +2.0, 1 kHz +1.7, 3 kHz +0.4, 4.5 kHz −4.7, 7 kHz +3.4, 10 kHz −5.2 dB. Against the original R70x on all four shared rigs it is +1.9…+4.2 dB at 20–40 Hz, +0.7…+2.5 dB at 0.8–3.5 kHz and +2.4…+4.3 dB at 7–9 kHz.
