Band: opinion spread · Dot: weighted average
The single most-argued axis, and the aggregate's #1 complaint. Everyone hears the same fact — a relaxed, laid-back upper-midrange with thick, warm, well-weighted male vocals — but they split hard on whether that's a feature or a flaw. One camp calls the mids natural, rich and pleasantly unforced; the other finds vocals too recessed and pulled back (female vocals especially short on reach), a genuine weakness. Both note vocals come forward and sound more natural at higher volume.
Measured
A non-Harman, relaxed upper-midrange: measurement-aware reviewers describe a subdued ~1.5–4 kHz region (restrained pinna/presence gain) under the warm bass tilt, which pulls vocals back and thins female-vocal 'reach' while the added low-mid warmth thickens male vocals. Vocals are widely reported to move forward and read more natural as volume rises.
vs. listeners — Same tuning, opposite verdicts: the relaxed upper-mids that one camp calls 'natural and non-fatiguing' are exactly what the other calls 'recessed/too laid-back.' iemranking logs 'relaxed vocals/upper-mids' as the most-repeated complaint while warm-leaning listeners count it a strength — so there is no single 'correct' read of the mids here.
“Both male & female vocals shine with rich texture and intensity.”
Sonic Mantra
“The mids still upset me, but it sounds magical.”
Jaytiss, via iemranking
